India paper makes fragility and transparency in Natalia Stachon’s work come alive. The »crossing« on the cover sums up what can be found inside the book: artwork and text overlap and face each other, while work titles function as chapters. Thus typography makes art more accessable and shows the important role of literature in Stachon’s work. Published by snoeck on behalf of the Daimler Art Collection.
Natalia Stachon – Monography
